![]() Lucas is an amalgam of bits cribbed from other Westerns (“True Grit” is perhaps the most apparent antecedent, especially in the too-loquacious-by-half dialogue) along with elements from the likes of “River of No Return” and “ Unforgiven”). Eventually, the two arrive at the town where McCallister has holed up with his men to craft his elaborate revenge all those years ago. This may not be suitable for interpersonal relationships, but it can be an advantage when heading off on the kind of dangerous journey they have embarked upon. Along the way, he teaches her to shoot and to take care of herself, and we eventually learn the explanation for their oddly frosty relationship dynamic-neither one is able to process emotions like grief and fear in “normal” ways. The one hitch is Brooke's presence, and when his initial plan for taking care of her fails to go through, he winds up taking her along on his quest. When Colton and Brooke return home and discover what has happened, it doesn’t take long for him to shift into revenge mode to go off in pursuit of Ruth’s killers. She doesn’t know them, but James certainly knows her husband-Colton killed his father right before his eyes when he was a small boy-and proceeds to brutally murder her as a way of sending a message to him. One day, after he is coerced into walking Brooke to school before opening up the store, Ruth is cornered by a quartet of men led by escaped convict James McCallister ( Noah Le Gros). But, of course, as a slightly better movie once stated, just because he is through with the past doesn’t mean that the past is through with him. Now, he's married to the lovely Ruth (Kerry Knuppe), with whom he has a young daughter named Brooke ( Ryan Kiera Armstrong), and runs the local general store in the nearby town. However, when the story picks up 20 years later, he has left all of that behind. However, while that previous film-an environmentally conscious epic in which he played an Ahab-like frontiersman on an obsessive search for a hidden valley of buffalo that he can slaughter-was not without interest, "The Old Way" seems determined to prove that Cage’s previous avoidance of the genre was perhaps a wise move.Ĭage plays Colton Briggs, a cold-hearted gunslinger going about his brutal and bloody business in the film’s prologue. Cage seems determined to make up for lost time because now comes director Brett Donowho's “The Old Way,” his second stab at the genre and a far more traditional example than the more revisionist take found in his earlier effort. ![]()
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